Chapter 17: Shortening techniques
Introduction
All the techniques covered up until this point will allow writing almost any word. However, words are usually split into outlines such that one stroke corresponds to one syllable. This is not terribly efficient. To put this into perspective, professional stenographers have to write 225 WPM (or 5.25 syllables per second) to graduate. Even for professionals, 5 strokes per second is almost too fast.
Instead of relying entirely on finger speed, steno outlines can be shortened. This is done through various techniques that either compress more sounds into each stroke, or drop unnecessary sounds altogether. Shortening techniques are not applicable to any arbitrary word (nor are they entirely conflict free), but they can still be extremely helpful for whole families of words. The techniques listed on this page are low in conflicts and it may also be the case that some words cannot be written without one or more of these techniques. It is very recommended to learn these.
Keep in mind, however, that several of the outlines listed on this page may not be in the default Lapwing dictionary. Many of the outlines are suggestions and examples of how these techniques can be used.
As you build speed and proficiency with steno, you’ll want to tailor your dictionary to how you write. It is very crucial to become comfortable with adding to your dictionary, especially if you decide to use these shortening techniques very heavily. Adding entries that use these techniques is completely normal and to be expected.
Useful links
- R-folding drill
- L-folding drill
- T-folding drill
- E-folding drill
- Folding drill (combined)
- Dropping unstressed vowels with folding drill
- [Inversions](17-inversions.txt)
- Left hand clusters drill
NOTE: it is recommended to complete these in order as some of the later drills incorporate techniques from the previous exercises.
Folding
Folding is a technique where a key (or chord) is inserted into a stroke to represent a sound that is typically found at the end of a word.
R-folding
Folding -R
into a stroke can add an ending “r” sound like in the following examples:
- equator
AOE/KWAEURT
=AOE/KWAEUT
+-R
- humor
HAOURPL
=HAOUPL
+-R
- modulator
PHO/SKWRAOU/HRAEURT
=PHO/SKWRAOU/HRAEUT
+-R
- shimmer
SHEURPL
=SHEUPL
+-R
Some outlines using this technique would conflict with preexisting words (e.g., TARP
for “tarp” or “tapper”). In cases where A
is the vowel, AE
can be used as an alternative vowel chord.
- hammer
HAERPL
=HAPL
+ER
- tapper
TAERP
=TAP
+ER
R-folding is high in conflicts for single stroke outlines but low in conflicts for multistroke outlines. It is safe to use this technique for ending multistroke words.
L-folding
Folding -L
into a stroke can add a sound containing the “l” consonant on the end of the word. Usually this is the “-ly” or “l” sound as in the following examples:
- mostly
PHOEFLT
=PHOEFT
+-L
- portal
PORLT
=PORT
+-L
- final
TPAOEUPBL
=TPAOEUPB
+-L
- funnel
TPUPBL
=TPUPB
+-L
This technique mostly fails whenever the steno outline already has the -L
key in it, or if the stroke is too difficult to press. In these cases, folding the initial HR
can sometimes work.
- finally
TPHRAOEUPBL
=TPAOEUPB
+-L
+HR
- basically
PWHRAEUFBG
=PWAEUFBG
* +HR
*See section below on dropping unstressed vowels.
L-folding is low in conflicts; use it whenever possible.
T-folding
Folding -T
can add the “-ity” or “-ty” sounds to the end of a word:
- entirety
EPB/TAOEURT
=EPB/TAOEUR
+-T
- eternity
AOE/TERPBT
=AOE/TERPB
+-T
- porosity
POR/KWROFT
=POR/KWROF
+-T
- sanity
SAPBT
=SAPB
+-T
T-folding is low in conflicts; use it whenever possible.
Using this technique might lead to difficult chords to press like
-TD
. Do not feel obliged to use T-folding in these scenarios.
E-folding
A long e /i/ vowel at the end of a word can be represented by folding the E
key into a stroke:
- auditory
AU/TKEU/TOER
=AU/TKEU/TOR
+E
- respiratory
RES/PRA/TOER
=RES/PRA/TOR
+E
- antimony
APB/TEU/PHOEPB
=APB/TEU/PHOPB
+E
- coffee
KOEF
=KOF
+E
- crumbly
KRUPL/EBL
=KRUPL/-BL
+E
- humbly
HUPL/EBL
=HUPL/-BL
+E
- numerically
TPHAOU/PHER/KAEL
=TPHAOU/PHER/KAL
+E
- symbolically
SEUPL/PWOL/KAEL
=SEUPL/PWOL/KAL
+E
- carefully
KAEUR/EFL
=KAEUR/-FL
+E
- dreadfully
TKRED/EFL
=TKRED/-FL
+E
- happy
HAEP
=HAP
+E
- happier
HAERP
(E
and-R
folding)
- happier
- fancy
TPAEPBS
=TPAPBS
+E
- fancier
TPAERPBS
(E
and-R
folding)
- fancier
E-folding with AEU
Words like “carry” would normally be written like KAEUR/KWREU
. The ending long e sound can’t be represented with E-folding normally, since the previous stroke already contains the E
key. Instead, AER
can be used to represent this sound in one stroke.
- carry
KAER
- estuary
ES/KHAOU/KWRAER
- corollary
KOR/KWRO/HRAER
- solitary
SO/HREU/TAER
E-folding is high in conflicts for single stroke outlines but low in conflicts for multistroke outlines. It is safe to use this technique for ending multistroke words.
Practice material
Dropping unstressed vowels
Keep in mind the examples may only apply to General North American English.
In conversational speech, a lot of vowels typically aren’t emphasized. For example, the first “e” in the word “elephant” is enunciated very clearly, but the second is not. This second “e” can be dropped without affecting the pronunciation significantly. For example, listen to the two ways of saying “elephant”:
Dropping the second “e” in “elephant” is advantageous; it is now now possible to write this word in two strokes instead of one: EL/TPA*PBT
.
This technique can be tricky, and it doesn’t always work with any arbitrary word. A great way to learn stress identification is to practice it in everyday life. When reading a word, pay attention to the vowels that aren’t emphasized. In particular, try dropping vowels from a word and observing if the word is still intelligible. For example, try saying “elephant” out loud in the two ways shown above. When reading the next few examples, try this out yourself.
definite
Write-out: TKE/TPEU/TPHEUT
Unstressed vowel(s) dropped: definite → defnit
The first “i” is unstressed and the “f” can be moved to the right hand.
Shorter outline: TKEF/TPHEUT
demand
Write-out: TKE/PHAPBD
Unstressed vowel(s) dropped: demand → dmand
The “e” is unstressed and the “dm” cluster can be moved to the left hand with TKPH
.
Shorter outline: TKPHAPBD
deplorable
Write-out: TKE/PHROR/-BL
Unstressed vowel(s) dropped: deplorable → dplorbl
Every vowel except the “o” can be dropped. The resulting consonants can easily fit on the steno layout.
Shorter outline: TKPHROBL
derivative
Write-out: TKE/REU/SRA/TEUF
Unstressed vowel(s) dropped: derivative → drivtive
The “e” and the “a” are dropped.
Shorter outline: TKREUF/TEUF
electric
Write-out: E/HREBG/TREUBG
Unstressed vowel(s) dropped: electric → lectric
First vowel can be dropped.
Shorter outline: HREBG/TREUBG
differ
Write-out: TKEU/TPER
Unstressed vowel(s) dropped: differ → difr
The “e” can be dropped and the “f” and “r” can be moved to the right hand with -FR
.
Shorter outline: TKEUFR
engineer
Write-out: EPB/SKWREU/TPHAOER
Unstressed vowel(s) dropped: engineer
The “i” can be dropped so that the “ng” sound can represented with -PBG
on the right hand.
Shorter outline: EPBG/TPHAOER
geology
Write-out: SKWRAOE/KWRO/HRO/SKWREU
Unstressed vowel(s) dropped: geology → geolgy
The second “o” can be dropped and the “l” can be moved to the right hand.
Shorter outline: SKWRAOE/KWROL/SKWREU
modulator
Write-out: PHO/SKWRAOU/HRAEUT/O*R
Unstressed vowel (s) dropped: modulator → modlator
The “u” can be dropped and the j sound can be moved to the right hand.
Shorter outline: PHOPBLG/HRAEUT/O*R
NOTE: this can be combined with R-folding:
PHOPBLG/HRAEURT
!
possible
Write-out: PO/SEUBL
Unstressed vowel(s) dropped: possible → posbl
The “i” is unstressed, and the “s” can be represented with -F
.
Shorter outline: POFBL
suppose
Write-out: SU/POES
Unstressed vowel(s) dropped: suppose → sppose
The “u” is unstressed.
Shorter outline: SPOES
Tom Scott and schwa
In many of these examples, the unstressed vowel is a schwa. This sound is always unstressed, and therefore can be dropped whenever possible. Identifying schwas quickly can therefore be very beneficial to automatically dropping unstressed vowels. Tom Scott has created a helpful video on understanding this sound which I highly encourage watching:
At 2:41, Tom mentions three words where the schwa is dropped entirely in spoken word. Instead of writing these words in three strokes like,
SE/PAR/KWRAT
,KHO/KO/HRAT
, andKA/PHER/KWRA
, can you think of two stroke outlines for each?
As an exercise, you can try looking back at the previous examples and identify the schwas. Note that not all unstressed vowels are schwas, and not all schwas in the examples are necessarily dropped.
Caveats
Sometimes this technique doesn’t work for a few reasons. First of all, the shortened outline might already conflict with another valid word. Here are some examples:
PWOUT
can be “bout” or “about”
This technique may also fail if there are too many consonants in the shortened word. For example, in the word “consonant”, every other vowel after the first “o” is unstressed:
- cons
onant → consnnt
However, it is not possible to include the “n” two times on the right side of the steno layout. We can, however, write it in two strokes as KOPBS/TPHAPBT
.
If you’re brave,
KOFPBT
could be a valid outline!
Consonant group splitting quirks
After dropping an unstressed vowel, a word can typically be split at the point where the vowel used to be. For example, the word “literal” would be split like HREUT/RAL
rather than HREU/TRAL
—even if that pronunciation is more natural to you.
However, if a vowel is completely silent, like the second “e” in “veterinarian”, it is often preferred to treat the remaining consonants as one sound (just like it was shown in chapter 15).
This is one place where you may want to tweak your dictionary.
Practice material
Inversions
It is sometimes acceptable to break steno order when shortening outlines. It is especially helpful to invert the order of two keys for some words where dropping unstressed vowels is not enough. For example, in the word “fabricate”, the “i” can be dropped:
- fabr
icate → fabrcate
Despite this, it is still not possible to represent the resulting sound in two strokes; the “br” cluster is problematic and forces the use of three: TPAB/R/KAEUT
. This is where an inversion can be helpful—if the R
key moved to the previous stroke, this word can be written in two strokes: TPARB/KAEUT
.
Examples
- migr
atoryPHAOEURG/TOER
- secr
etarySERBG/TAER
- patr
imonyPART/PHOEPB
- b
esideSPWAOEUD
*crossing out indicates dropped unstressed vowels.
Practice material
[Inversions](17-inversions.txt)
work-in-progress
Left hand compound clusters
In addition to the left hand chords learned in the very early chapters, there are also more advanced chords that can represent more than just a single consonant.
SPW
is “int” or “ent” as in “entire” or “intern”KP
is “comp” as in “complement”KPW
is “comb” as in “combine”KPH
is “com” as in “comment”W
is “v” as in “divine”STK
is “d_s” as in “design” or “disarm”
KPW
,KPH
, andSTK
technically aren’t compound clusters, but are the result of other shortening techniques. However, it is easy to explicitly remember these as compound clusters as they are quite common.
Examples
- entire
SPWAOEUR
- intern
SPWERPB
- compli
antKPHRAOEUPBT
- compliment
KPHREUPLT
- commend
KPHEPBD
- commit
KPHEUT
- d
eviceTKWAOEUS
- d
ivideTKWAOEUD
- decide
STKAOEUD
- dis
appearSTKPAOER
*crossing out indicates dropped unstressed vowels.
Practice material
NOTE: many of the words in this drill also utilize other techniques.
Dropping other sounds
Sometimes it may be convenient to arbitrarily drop more sounds to shorten steno outlines. For example, the “n” in “assignment” is not really enunciated, allowing it to be written in two strokes instead of three:
- assignment
A/SAOEUPLT
- Instead of
A/SAOEUPB/-PLT
- Instead of
This technique can also be applied to the following words:
- confinement
KOPB/TPAOEUPLT
- consignment
KOPB/SAOEUPLT
The words that work with this technique depend a lot on your accent and even personal speech patterns. If you find an intuitive outline missing from
lapwing-base.json
, you should not hesitate to add it to your personal dictionary.
While these last few examples may have been somewhat intuitive, it is also valid to drop sounds arbitrarily whenever a stroke can be saved:
- abutment
A/PWUPLT
- first “t” is dropped
- amb
iguityAPL/TKPWAOUT
- “b” is dropped
- discard
STKARD
- “c” is dropped
- fragment
TPRAPLT
- “g” is dropped
efficientTPEURBT
- “n” is dropped
- patient
PAEURBT
- “n” is dropped
*crossing out indicates dropped unstressed vowels.
NOTE: this technique depends heavily on if there are existing words the resulting outline may conflict with.
As this technique is highly personal to each individual, it is not particularly useful to drill the words that can be found in the dictionary. Instead, cater this method to your own personal accent and speech patterns when adding new entries to your dictionary. Feel free to learn the shortened outlines in the dictionary that utilize this technique, but you are not at all obliged to follow them.
Shortened prefix strokes
In chapter 13, shortened prefix strokes were introduced. Instead of writing AU/TOE/PHAEUT
for the word “automate”, you can instead write OEUT/PHAEUT
with OEUT
representing the auto^ prefix. While “mate” is not the root word of “automate” (making this seem like an incorrect usage of a prefix stroke), this outline is really just using syllabic splitting. OEUT
is being used to represent the “auto” sound and it just so happens to be mapped to the auto^ prefix.
NOTE:
OEU
is a pretty uncommon vowel sound in the English language. Therefore, it is often used in Lapwing theory (and Plover theory) as a wildcard sound in a lot of briefs.
Some examples of shortened outlines using these briefer prefix strokes:
- internet
EURPBT/TPHET
EURPBT
in place ofEUPB/TER
- paradise
PA*R/TKAOEUS
PA*R
in place ofPAEUR/KWRA
- supermarket
SAOURP/PHARBGT
SAOURP
in place ofSAOU/PER
- telecommunication
T*EL/KPHAOUPB/KAEUGS
T*EL
in place ofTE/HRE
Until a list of some useful shortened prefix strokes can be created, I suggest using the lookup tool whenever you encounter a multistroke prefix outline.